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When Oren accurately reflects me at my most clueless, I temper my criticism of clichés. Neighbor Leah (Keaton), finding in Sarah the granddaughter she never had, sometimes seems to question that she could have feelings for such a meathead as Oren. Oren inherits his hitherto unknown granddaughter, Sarah (Sterling Jerins), from a prison-bound ex-junkie son, Luke (Scott Shepherd).
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However, make no mistake, the plot is as predictable as it gets. Writer Mark Andrus, who knows of these matters from writing As Good as It Gets, in which Jack gets his reality check also from Keaton, offers subplots without the usual screaming and insults. With Diane Keaton for the love interest singing in a lounge (Frankie Valli plays the owner!) a sweet range of Rodgers & Hart, Irving Berlin, and Jimmy van Huesen tunes, Reiner has two Oscar-winning performers who mostly underplay the attraction that takes them out of the clichéd situation of "hate then love" into a more reasonable slow growth to affection. Director Rob Reiner in An So It Goes has achieved the near impossible by having Michael Douglas do better than Jack by underplaying a crusty but ultimately dear real estate agent, Oren Little, a widower selling his own 8 million dollar home somewhere in Fairfield, Connecticut. "In every heart there is a room/A sanctuary safe and strong/To heal the wounds from lovers past/Until a new one comes along." Billy Joel Respectfully depicting romance with sixty something's is as challenging as getting someone other than Jack Nicholson to play the male lead.